Short-form animation comes to life for me through a blend of hand-drawn expression, textured detail, and cinematic motion. Some projects begin in Procreate Dreams, where I sketch out movement and let early ideas breathe. Other times, I build the visual language in Photoshop, layering subtle lighting, texture, and emotional nuance frame by frame.
When a piece calls for clean lines or strong graphic structure, I turn to Illustrator to craft the forms that anchor the motion. In After Effects, I bring everything together—merging assets, shaping transitions, refining pacing, and expanding movement into a cohesive visual flow. Premiere Pro becomes the final stage, where I fine-tune timing, sound design, and color to complete the piece with intention and polish.
Alongside animation, I design and produce complete graphic packages for video content; including lower thirds, title cards, branded overlays, and cohesive thumbnail sets. Each element is built to align with the visual identity of the project while enhancing clarity, engagement, and storytelling.
Every project is different, so I use whatever combination of tools best serves the idea — sometimes all of them, sometimes only one. This flexible, concept-driven process allows me to create short-form animations and supporting visuals that feel tactile, immersive, and fully realized.